> Support Structures, 2020
Wood litho, etching and woodcut
Varied edition of 7 + 3 artist proofs
Bleed print, 595 x 450mm
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Wood litho, etching and woodcut
Varied edition of 7 + 3 artist proofs
Bleed print, 595 x 450mm

> A Way Through, 2020
Wood litho, etching and woodcut
Varied edition of 8
Bleed print, 211 x 287mm
Wood litho, etching and woodcut
Varied edition of 8
Bleed print, 211 x 287mm

> In it Came, Right up to the Edges, 2020
Wood litho and Mokuhanga
Varied edition of 5 + 3 artist proofs
255 x 211mm
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Wood litho and Mokuhanga
Varied edition of 5 + 3 artist proofs
255 x 211mm

> Recent work
Pencil, watercolour, acrylic, collage, paper, plywood
Pencil, watercolour, acrylic, collage, paper, plywood




> Landforms, print series, woodcut, 2017
Series of one-off prints which reference the point where land meets water. Made from 4 individual carved woodblocks printed on their own and in combination, the prints can be assembled in various different arrangements, or displayed individually.
Series of one-off prints which reference the point where land meets water. Made from 4 individual carved woodblocks printed on their own and in combination, the prints can be assembled in various different arrangements, or displayed individually.


> Momentary Permanence
Unique artist book
Stone lithograph and collage on paper, hand-bound
2018
Unique artist book
Stone lithograph and collage on paper, hand-bound
2018




> Intersection
Print series
woodblock (mokuhanga)
2019
Print series
woodblock (mokuhanga)
2019



> Selected / Contained
Print series
Photo-etching
Edition of 10, unframed
2012
27 x 40 cm
Print series
Photo-etching
Edition of 10, unframed
2012
27 x 40 cm





> Fragments
collage, pencil, paint, paper, plywood
Ongoing series of playful pieces exploring balance and form. Often inspired by architectural forms or my everyday surroundings, they are a way to work things out and to investigate dissonance and harmony of shape, texture and colour.
collage, pencil, paint, paper, plywood
Ongoing series of playful pieces exploring balance and form. Often inspired by architectural forms or my everyday surroundings, they are a way to work things out and to investigate dissonance and harmony of shape, texture and colour.







Process is hugely important in my practice - it guides my image making, provides parameters, and generates ideas. Printmaking often acts as an intermediary or intervention - work germinates from a collected archive of drawings, photographs, memories and experiences, and evolves through printmaking processes such as etching, lithography and woodcut. I often print onto thin Japanese washi papers, which are then taken a stage futher and used to create unique collage pieces.
I have 15+ years of experience working in printmaking - it’s what I’m trained in and it’s what I love doing. I specialise in etching, lithography and woodblock printing.
Lithography is a planographic print process which uses a limestone block, a metal plate or a wood block as a matrix to print from, and relies on the antipathy of grease and water to create a print. (The video playing above/to the side was made by filmmaker Bill Newsinger while I was print fellow in stone lithography at Leicester Print Workshop in 2013).
Etching is an intaglio printmaking technique, where lines and texture are bitten into the surface of a metal plate with acid. When ink is applied to the plate, these lines hold ink and are transferred to the paper surface when run through a printing press.
Mokuhanga (Japanese woodblock printing) is a relief printing process where sharp gouges are used to carve into the surface of a wood block. Water-based ink is then applied to the block surface, specialist washi paper is laid down on top and pressure is applied by hand with a baren to create the print. I learned this technique on a 5-week artist residency in Japan in 2018.
I have 15+ years of experience working in printmaking - it’s what I’m trained in and it’s what I love doing. I specialise in etching, lithography and woodblock printing.
Lithography is a planographic print process which uses a limestone block, a metal plate or a wood block as a matrix to print from, and relies on the antipathy of grease and water to create a print. (The video playing above/to the side was made by filmmaker Bill Newsinger while I was print fellow in stone lithography at Leicester Print Workshop in 2013).
Etching is an intaglio printmaking technique, where lines and texture are bitten into the surface of a metal plate with acid. When ink is applied to the plate, these lines hold ink and are transferred to the paper surface when run through a printing press.
Mokuhanga (Japanese woodblock printing) is a relief printing process where sharp gouges are used to carve into the surface of a wood block. Water-based ink is then applied to the block surface, specialist washi paper is laid down on top and pressure is applied by hand with a baren to create the print. I learned this technique on a 5-week artist residency in Japan in 2018.